Channel Amplifier
As MTV Became A Business Success, It Made A Huge Number Of Stars Whose Careers Would Have Been Totally Different Without The Exposure.
Cable channel MTV turns 30 today and I suspect it's improbable that any article noting the event will be well placed to withstand the urge to include some rant about the lack of music videos on the network.
In principle, I understand the beefs. I watched the network from its earliest days and there had been something magical about discovering some artist or song thanks to the video. As MTV changed into a business success, it made a big number of stars whose careers would be completely different without the exposure. Sure, performers like Paula Abdul owe their careers to MTV, but it's hard to imagine what the careers of musicians like Michael Jackson would have been without the video exposure.
But from the earliest years of the network, MTV pursued a strategy of making original, non-musical programming. And once they made that decision, it was inescapable that the successfulness of that programming would push the music off the key MTV Network.
There are good business reasons for opting not to play music videos on a channel that was originally branded as a music network. No wire channel wants to be in a scenario where their achievement is dependent on access to content being made by 3rd parties. In pretty much the same way that HBO and Showtime commenced making original programming as a way to offset the assertive dealmaking of the film studios, MTV moved towards original programming so they would not be dependent on the whims of the music labels.
I believe things could have been slightly different if MTV had been owned by a media company that also owned a music label. But without guaranteed access to music videos, MTV had little choice than to move towards original programming.
Granted, MTV did not always have to choose the programming mix that it did. But because it's owned by Viacom, which approaches its multiple cable channels the way Clear Channel programs its radio stations, programming choices are usually as much about playing to the network's target demo as anything more.
That pressure from the sales side is also why you see things like Viacom-owned movies pop up in primetime slots. Their cost is close to free, and its simple for a sales staff to sell a block of pictures airing across all the Viacom Networks.
At the end of the day, MTV is a business. And it's difficult to prove with the premise that whether or not it airs music videos, it's been a surprisingly successful network. So while I ache for the videos (and the VJs), I'm ten years past making snide remarks about the lack of music on MTV.
But as MTV turns 30, I do fret about the corrosive effect its programming has on teens.
Worrying about such things likely seems old fashioned to most audiences (and TV critics) at this juncture. MTV glaringly has got the right to air what it wants, how it wants. The indisputable fact that so many of its shows are successful illustrates there is an audience for them.
But because discussion sells, MTV has made this vision of American kids that commonly highlights the nastiest of what we will be. MTV isn't airing Teen Mom because they hope to persuade teen viewers not to become pregnant. Actually the underlying message of the show is "hey, it will be okay." Seeing girls who have appeared on Teen Mom splashed across mag covers at the local supermarket is morally wrong on so many levels I could write a book about it and still just scratch the surface. The undeniable fact that versions of jersey Shore air across the world makes me more sorrowful than proud of the network's programming prowess.
What fears me as MTV turns 30 is that for many American children, Viacom has as much influence on their lives as school or friends. From Nick Jr's preschool programming through Nick's animated shows through Teen Nick and MTV, Viacom controls the pop culture landscape of America's youth.
I will not claim anybody is evil. Almost all of the programming decisions have more to do with sales opportunities and audience share than cultural impact. But at age 30, MTV should be thinking about such things, and it appears clear to anyone who watches the network the ethics of what they air is hardly a concern,writes tagza.com.
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